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Between its various characters, many things are dying: Matthias glasner’s first feature in 12 years is a work of unsentimental realism about a dysfunctional family, with performances to savour · a sprawling three-hour symphony of tragicomic angst, depressive divas and dysfunctional family dynamics, dying is a flavoursome exercise in high-class soap opera from … · lars eidinger stars in dying, a german film about an orchestra conductor and his family. · over three hours and five different chapters, matthias glasner ’s “dying” chronicles the travails of an estranged family of four: · dying is the story of a present-day german family. Sprawling, discordant, haunted by mortality and strangely reminiscent … · despite the title of matthias glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but the mess of living. An elderly couple on the brink of death, their … Lissy lunies (corinna harfouch) is herself seriously ill while tending to her husband gerd (hans-uwe bauer), who has dementia. · this time, it’s the turn of the great lars eidinger (clouds of sils maria, my little sister), whose character is the fulcrum for this novelistic family opus from german writer … · matthias glasner’s dying (or sterben in the original german) is a film composed like its central musical motif: Relationships, careers, even hope itself. · winner of the berlinales silver bear for best screenplay, matthias glasners dying takes a razor-sharp approach to the family drama. · dying stretches its thematic remit to examine deaths of all kinds, not just physical.